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I Dictionary of Obscure Sorrows, “a compendium of invented words” har John Koenig samlat känslor vi kan känna men inte beskriva. Bevisa att han har fel och skriv in någon av följande känslor i ditt nästa skrivprojekt!
The bends
n. frustration that you're not enjoying an experience as much as you should, even something you've worked for years to attain, which prompts you to plug in various thought combinations to try for anything more than static emotional blankness, as if your heart had been accidentally demagnetized by a surge of expectations.
La cuna
n. a twinge of sadness that there's no frontier left, that as the last explorer trudged with his armies toward a blank spot on the map, he didn't suddenly remember his daughter's upcoming piano recital and turn for home, leaving a new continent unexplored so we could set its mists and mountains aside as a strategic reserve of mystery, if only to answer more of our children's questions with "Nobody knows! Out there, anything is possible."
Dead reckoning
n. to find yourself bothered by someone's death more than you would have expected, as if you assumed they would always be part of the landscape, like a lighthouse you could pass by for years until the night it suddenly goes dark, leaving you with one less landmark to navigate by—still able to find your bearings, but feeling all that much more adrift.
Ecstatic shock
n. the surge of energy upon catching a glance from someone you like—a thrill that starts in your stomach, arcs up through your lungs and flashes into a spontaneous smile—which scrambles your ungrounded circuits and tempts you to chase that feeling with a kite and a key.
Flashover
n. the moment a conversation becomes real and alive, which occurs when a spark of trust shorts out the delicate circuits you keep insulated under layers of irony, momentarily grounding the static emotional charge you've built up through decades of friction with the world.
Gnasche
n. the intense desire to bite deeply into the forearm of someone you love.
Hiybbprqag
n. the feeling that everything original has already been done, that the experiment of human culture long ago filled its petri dish and now just feeds on itself, endlessly crossbreeding old clichés into a radioactive ooze of sadness.
Kenopsia
n. the eerie, forlorn atmosphere of a place that's usually bustling with people but is now abandoned and quiet—a school hallway in the evening, an unlit office on a weekend, vacant fairgrounds—an emotional afterimage that makes it seem not just empty but hyper-empty, with a total population in the negative, who are so conspicuously absent they glow like neon signs.
Lachesism
n. the desire to be struck by disaster—to survive a plane crash, to lose everything in a fire, to plunge over a waterfall—which would put a kink in the smooth arc of your life, and forge it into something hardened and flexible and sharp, not just a stiff prefabricated beam that barely covers the gap between one end of your life and the other.
Mimeomia
n. the frustration of knowing how easily you fit into a stereotype, even if you never intended to, even if it's unfair, even if everyone else feels the same way—each of us trick-or-treating for money and respect and attention, wearing a safe and predictable costume because we're tired of answering the question, "What are you supposed to be?"
Nighthawk
n. a recurring thought that only seems to strike you late at night—an overdue task, a nagging guilt, a looming and shapeless future—that circles high overhead during the day, that pecks at the back of your mind while you try to sleep, that you can successfully ignore for weeks, only to feel its presence hovering outside the window, waiting for you to finish your coffee, passing the time by quietly building a nest.
Onism
n. the frustration of being stuck in just one body, that inhabits only one place at a time, which is like standing in front of the departures screen at an airport, flickering over with strange place names like other people's passwords, each representing one more thing you'll never get to see before you die—and all because, as the arrow on the map helpfully points out, you are here.
Rückkehrunruhe
n. the feeling of returning home after an immersive trip only to find it fading rapidly from your awareness—to the extent you have to keep reminding yourself that it happened at all, even though it felt so vivid just days ago— which makes you wish you could smoothly cross-dissolve back into everyday life, or just hold the shutter open indefinitely and let one scene become superimposed on the next, so all your days would run together and you'd never have to call cut.
Sonder
n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.
Vemödalen
n. the frustration of photographing something amazing when thousands of identical photos already exist—the same sunset, the same waterfall, the same curve of a hip, the same closeup of an eye—which can turn a unique subject into something hollow and pulpy and cheap, like a mass-produced piece of furniture you happen to have assembled yourself.
Zielschmerz
n. the exhilarating dread of finally pursuing a lifelong dream, which requires you to put your true abilities out there to be tested on the open savannah, no longer protected inside the terrarium of hopes and delusions that you created in kindergarten and kept sealed as long as you could, only to break in case of emergency.
